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"NEW! Support for RED MX!"
In addition to supporting many cinema cameras, 3cP-SF will now offer support for RED MX media as well as full motion preview of color corrected footage. Working from the native .r3d file this compelling new update will not only allow for data management and color correction, but an overall workflow solution as well.
DP of recently finished TV series "Tudors IV" (Showtime) Ousama Rawi B.S.C., C.S.C. used 3cP with Panavision's Genesis and he said: "Using 3cP led to dailies with no misunderstandings. Every scene was transferred accurately. Later, when the final timing sessions were embarked upon it actually took less time to complete than was scheduled.. That is remarkable."
Three Versions Provide the Right Solution for All Users
3cP is available for purchase in three versions - 3cP/SL, 3cP/SF and 3cP/ST - each tailored to a specific type of filmmaker. As needs change and grow, upgrades are available to move from one version to the next. NOTE: a 3cP version comparison chart is provided at the bottom of this page.
Theo Van de Sande, ASC is using 3cP on Sony Pictures
"Just Go With It" shooting on the F35 with DIT Raul Riveros
3cP / ST
The Canon DSLR Film makers!
3cP ST is the entry-level version of 3cP, providing full support for the Canon line of DSLRs. Back up, color correct and generate color corrected files using the new and easy to use 3cP-ST! It provides a variety of color correction tools and directly connects to the Apple(R) Color and Synthetic Aperture(TM) Color Finesse(R) color correctors. Peform data management and verification methods to ensure that your files are duplicated and kept safe! This version is aimed at all levels of users in hopes to create a simple and color consistent workflow. The really makes the ST version the "all-in-one" solution for Canon DSLR film makers!
ORDER NOW! - Only $299!
3cP / SF
Our Advanced Version
This version contains all of the features of 3cP/ST, plus it adds file based camera support for RED and with additional codecs P2, XDcam, Arri D21, and Phantom. This software will allow users to perform data managment functions and import files directly or from HD-SDI with the capacity to generate files or dailies such as Apple Pro Res 422HQ, Avid DNxHD 36, Apple tv, iPhone, Quicktime, etc. SF includes the support for the export of variety of CDLs and 3D LUTs such as the ASC CDL as well as direct hardware support for the Leader(TM), multi-SDI portable waveform /vectorscope monitor. It also has the ability to support live on-set video previewing using monitors such as the Cine-tal(TM).
ORDER NOW! - Only $1499!
3cP / SL
The Professional Version
This version contains all of the features of 3cP/SF, plus it adds support for the Panavision GDP and LUTher systems.This version is aimed at the professional DP or DIT that requires all the possible features for on set monitoring and hardware support.
This packages also includes a free Cinematographer's Color Correction rec. 709 chart ($499 value!) a patented color chart from Gamma & Density used by hundreds of cinematographers as a common language between DP's, DIT's and colorists.
ORDER NOW! - Only $2999!
SF and ST versions include a 50% discount on Gamma & Density color charts! SL version comes with a free 709 chart!
Technical Highlights of 3cP
3cP works with film, digital intermediate (DI), video (NTSC/PAL) and HD productions. The system is completely non-destructive and works entirely rec709 enviroment. By using our proprietary calibration methods any user can utilize the tools needed for a consistent workflow.
Click here to request a full 3cP Manual
Click here to download the 3cP Demo
Color corrections and metadata can easily electronically transmitted from the set to the telecine or DI suite via an Internet connection or DVD, CD, USB. Footage can be color corrected and generated in a variety of formats for editorial, dailies, or master footage.
Reference images and profiles make it easy to pre-visualize future results and achieve accurate color grading thanks to the many tools available:
* Exposure tools (Digital Spot Meter)
* Printing lights, gamma (contrast), and density
* Video Levels, hue, and saturation
* YRGB gain, gamma and pedestal* Generate masks using Power Windows(TM)
* Customized profiles (for film stocks, processing, RGB curves, filters, etc.)
Presents all color and tonal corrections in terms understood by both cinematographers DITs and colorists: printing lights, IRE units, millivolts, f-stop differences, etc., while unifying them all using the simple G&D Thorough Control System.
Technical Highlights of 3cP (SF & SL)
3cP, as a patented technology, offers unique features unavailable anywhere else, which includes:
Upcoming features in 3cP 4.1!
• All in one data management solution for any file based camera
• Enhanced support for the RED one:
-- Supports the RED Mysterium X sensor
-- Supports FLUT and Shadow controls
-- Support new and old color space
• New ability to generate Nucoda-style 3D LUT
• Enhanced P2 file handling
• Improved video capture file handling
• New still frame video capture option
• Improved batch render utilities
• New option to auto email LUT or CDL along with 3cP report
• Support for the RED Rocket
• All-in-one data management solution for file based workflows
• Full support for motion clips in addition to still images.
• Support for DPX, Cineon, and TIFF image sequences.
• Direct support of Canon DSLR cameras and RED r3d raw camera footage.
• Realtime playback of motion footage.
• Dailies generation with optional burned-in timecode and smart slates.
• Background processing of media backups and footage rendering.
• Print-to-video feature with output of linear timecode (LTC).
• Syncing of audio tracks to footage for dailies rendering.
• Backup of media files to up to three backup locations, with byte-by-byte verification.
• ALE (Avid Log Exchange) file generation for rendered output files. In addition, 3cP continues to offer a robust set of tools for color correction, 3D LUT generation, ASC CDL support, monitor calibration, and communication with post production.
Choosing the Right Version:
CHARTS CAMERA CALIBRATION DAILIES CALIBRATION 24/7 TECH SUPPORT SETTING UP COMMUNICATIONS W/ PRODUCTION / TELECINE / DI 3CP USER TRAINING ASC_CDL RED_CAMERA_SUPPORT 3D LUTs COLOR FINESSE_CDL APPLE COLOR_CDL DATA MANAGEMENT UTILITIES CALIBRATION LEADER LUTHER CINETAL PANAVISION_GDP OPERATIONAL PASSWORD
Rodrigo Prieto, ASC, AMC
using 3cP on the set of the film "State of Play"
(Universal Pictures)
- DP Ousama Rawi, CSC BSC used 3cP on "The Tudors I-IV" Showtime Productions
